
If the cover picture of this edition looks particularly retro that’s because it is. By some arcane calculation the publishers reckon that this is the issue that marks the actual sixtieth anniversary (if you feel this is overly cynical, note that the magazine started out as a quarterly, spent most of its time at ten issues a year and has now been forced to six issues a year). In recognition of this fact, there’s no Classic Reprint (unfortunate, mostly) but each author is invited to pen a couple of paragraphs on their first encounter with the magazine, which came as quite a surprise to me as to how aged some of these authors were :-).
Anyway, to the meat of the magazine; the stories.
With this issue, we run the whole gamut of novella, novelettes, short stories and factual pieces.
The novella is from Lucius Shepard (a regular contributor to the magazine’s book review pages). ‘Halloween Town’, which tells the tale of Clyde Ormoloo, the willow wan and the eponymous town at the bottom of the narrow Shilkonic Gorge. Now, our Clyde had suffered an injury that’d left him with a strange complaint - whenever he looked at anyone in the light, he could see the state of their soul. The darkness engendered by Halloween’s less than prime location made it appear ideal to Clyde. But even in a town that appears to have been bypassed by the changes in the surrounding society, Clyde finds things that are dark and dangerous.
As with the recent issue of Interzone, I found this length of story a rather uncomfortable fit but the tale itself was suitably gruesome for it’s titular holiday event and a good reminder that the Fantasy element of the title came first :-)
The novelettes are as follows:
‘The Far Shore’ by Elizabeth Hand. In this story we follow Philip who had been a competent if not outstanding member of the corp de ballet who’d been content with his lot, first as a dancer, then as a trainer after a bad landing had smashed a foot. Feeling rather directionless, he’d taken an old friend up on the offer to housesit their camping lodge over the winter while she and her husband went south to Florida for the winter. While snowed in, Philip finds himself attracted to the Far Shore of the local lake, which had an ill-founded reputation locally but his gammy foot and the weather precluded much exploration. Whilst wandering in the forest (important safety tip - don’t forget your hi-viz jacket if you do this!)., Philip finds an injured youth who’s in a bad way. Finding an unexpected spark of desire, thought long dead after the death of his own lover, Philip takes in the youngster and nurses him back to health. In recompense, the being he has tended offers a choice (once its clear Philip is going to care for the boy whatever he may want) - Philip can continue with his lonesome life, or he can follow the youngster to the Far Shore and whatever may happen there.
Although this was, at times, a bit confusing, it is at heart a love story (so no prizes for guessing Philip’s choice) and what effects choices have on people. This was a thought provoking story from a veteran of the field.
‘Bandits of the Trace’ from Albert E. Cowdrey is a rarity in my experience - a fantasy set in the Old Time West, when men were men and bandit queens were bloody minded (and handed) murderers. Although it’s told from the point of view of a modern day treasure hunter trying to find the bandits’ lost hoard the story itself is presented as an extract from the book he’s writing on our bandit queen and her band of desperadoes.
In the main, this is the least openly fantastical of the stories in this issue of the magazine but the final few paragraphs make up for this even if they aren’t strictly necessary to make the story chilling…
‘The Way They Wove Spells in Sippulgar’ from the pen of the veteran Robert Silverberg takes us back to the author’s stupendous planet of Majipoor for this tale of a missing brother-in-law and the search for him in the eponymous city. Stories set on Majipoor should technically be science fiction; they’re on another planet in our future and there are alien races. But most of these races map fairly easily onto standard fantasy types and though the people of Majipoor sort of vaguely know they’re from off-world, there is little interaction with off-worlders and the place feels low-tech despite the existence of high-tech. the problem is that the planet is vast, seriously huge and travel times are in the ‘lifetime’ range. Anyway, back to our protagonist, who’s a merchant that doesn’t believe in anything much apart from his merchandise and the resultant credit balances. In a time when Majipoor is undergoing an explosive religious expansion, it seems that Sippulgar is one of the centres of these cults and that brother-in-law had become involved - no surprise to our merchant, who’d had to bale him out of other, less esoteric, businesses in the past. But this time, it looked as if brother-in-law had hit on something rather better than his usual fly-by-night scams. However, he and his partner in crime, also mysteriously vanished, had made a mistake in hiring a priest who genuinely believed in the message they offered and was a genuine saint according to our merchant. Now, it’s not impossible that the priest did away with his bosses in order to rid the church of their taint - holiness is no bar to doing evil. It may even be possible, however unlikely, that the communicant who’d wanted his wife raising from the dead had done away with them when they’d said no. But that demons had done away with them? Stuff and nonsense! However, by the end of the tale, our merchant is left more sceptical of his scepticism…
As stated above, Robert Silverberg has been writing Majipoor stories for the best part of thirty years and while some are… less than good shall we say, this definitely counts amongst the best of the bunch.
‘I Waltzed With a Zombie’ by Ron Goulart is, despite the subject a rather light hearted story about what happens when a leading man quite literally dies partway through filming. It really put a crimp in his style and his leading lady wanted to know why so she hired a private eye to find out.
This was mainly a fun story and I’m almost sure has been influenced by the smash hit mash-up between ‘Pride & Prejudice’ and zombie novels.
‘Another Life’ by Charles Oberndorf. In going to the stars, humanity has not left the squabbling behind. What they fight over might have changed but the need for bodies to do the fighting has not. However, cloning and the ability to download a mind map into the cloned body means that death isn’t final - there are one or two minor downsides, granted - everything after that mind map was made was lost and the cost was darn near prohibitive. But the military would pick up the tab for that first rebirth and any rebirths while in service, and you only had to die five times for you to serve out your term.
This story is told from the perspective of a man looking back to his first hitch and its consequences which was a relatively interesting way of prompting along the story but the close similarities with John Scalzi’s Old Man’s War’ series were enough to spoil it for me.
Next up are the short stories:
‘Logicist’ by Carol Emshwiller is a rather strange tale of a teacher (or logicist as Ms Emshwiller calls him). In his efforts to teach his charges, he takes them to a nearby fight between his people and the enemy which his people lose. In the aftermath, his children are lost and the logicist flees only to find himself deep in enemy territory where he’s taken in by a simple peasant family and he falls for the woman of the house until he finds plans for the enemy advances which force him to face the choice between returning to his own people or remaining where he is.
Ms Emschwiller gets our logicist to favour country and honour over love, which felt against the flow of the story to that point.
‘Blocked’ from Geoff Ryman is a really weird tales set just pre-catastrophe as the peoples of the planet have been persuaded that a major impactor is about to wipe out the population so deep shelters have been dug and gigantic storage units to hold the uploaded consciousnesses of those with the wealth to escape the up-coming catastrophe. But even if you have the money, you might lack the will to lock yourself away in such a fashion…
‘Mermaid’ from Robert Reed is a rarity in his recent work in that it doesn’t focus on Africa. Instead we are in suburban America where a man tries to hide the strange nature of his girlfriend from his neighbours.
‘Never Blood Enough’ by Joe Haldeman is set on a planet in the early days of colonisation with insufficient resources and personnel to do justice to the necessary research to make a safe colony. In this story, the colony’s administrator is confounded by a series of deaths that have left their victims short on blood supply but without any wounds that might explain the condition.
This was a neat (I’d say ‘nice’ but that implies something it wasn’t :-)) little tale of detective work even if there is a slight air deus-ex-machina about the ending.
‘The President’s Book Tour’ by M. Richert is basically a post-apocalyptic Romeo and Juliet tale that was deeply unpleasant in almost every way. In my opinion.
‘Through Time and Space With Ferdinand Feghoot LXXI’ by Ron Partridge. It’s a Feghoot - what can you expect? Practice your groans and enjoy. You may find you have to speak the final couple of lines to ‘get it’ though whether you think it was worth it is another matter, though it’s not the worst even in my fairly limited experience.
‘Shadows on the Wall of the Cave’ from Kate Wilhelm. After the disappearance of her youngest cousin, Ashley had stopped visiting her grandparent’s farm but now with the death of her grandmother, it was time to face up to that past and the recriminations of her family. Persuaded to visit the cave where the disappearance had occurred by her older cousin not even he can get her inside but it’s what he finds there that destroys the family.
Despite the apparently negative comments above, this story actually managed to end on an upbeat note.
As all the stories were written by people with literally decades of writing experience the general quality of the stories was excellent with only a couple of the short stories rated as low as 5/10, with the majority hitting 7/10 and Silverberg’s Majipoor story rating an 8/10.
The non-fiction areas saw Lucius Shepard appear once more, this time in his role as film reviewer where he goes onto bash the latest round of genre movies though he heaps relatively loads of praise on ‘Moon’ .
Anyway, to the meat of the magazine; the stories.
With this issue, we run the whole gamut of novella, novelettes, short stories and factual pieces.
The novella is from Lucius Shepard (a regular contributor to the magazine’s book review pages). ‘Halloween Town’, which tells the tale of Clyde Ormoloo, the willow wan and the eponymous town at the bottom of the narrow Shilkonic Gorge. Now, our Clyde had suffered an injury that’d left him with a strange complaint - whenever he looked at anyone in the light, he could see the state of their soul. The darkness engendered by Halloween’s less than prime location made it appear ideal to Clyde. But even in a town that appears to have been bypassed by the changes in the surrounding society, Clyde finds things that are dark and dangerous.
As with the recent issue of Interzone, I found this length of story a rather uncomfortable fit but the tale itself was suitably gruesome for it’s titular holiday event and a good reminder that the Fantasy element of the title came first :-)
The novelettes are as follows:
‘The Far Shore’ by Elizabeth Hand. In this story we follow Philip who had been a competent if not outstanding member of the corp de ballet who’d been content with his lot, first as a dancer, then as a trainer after a bad landing had smashed a foot. Feeling rather directionless, he’d taken an old friend up on the offer to housesit their camping lodge over the winter while she and her husband went south to Florida for the winter. While snowed in, Philip finds himself attracted to the Far Shore of the local lake, which had an ill-founded reputation locally but his gammy foot and the weather precluded much exploration. Whilst wandering in the forest (important safety tip - don’t forget your hi-viz jacket if you do this!)., Philip finds an injured youth who’s in a bad way. Finding an unexpected spark of desire, thought long dead after the death of his own lover, Philip takes in the youngster and nurses him back to health. In recompense, the being he has tended offers a choice (once its clear Philip is going to care for the boy whatever he may want) - Philip can continue with his lonesome life, or he can follow the youngster to the Far Shore and whatever may happen there.
Although this was, at times, a bit confusing, it is at heart a love story (so no prizes for guessing Philip’s choice) and what effects choices have on people. This was a thought provoking story from a veteran of the field.
‘Bandits of the Trace’ from Albert E. Cowdrey is a rarity in my experience - a fantasy set in the Old Time West, when men were men and bandit queens were bloody minded (and handed) murderers. Although it’s told from the point of view of a modern day treasure hunter trying to find the bandits’ lost hoard the story itself is presented as an extract from the book he’s writing on our bandit queen and her band of desperadoes.
In the main, this is the least openly fantastical of the stories in this issue of the magazine but the final few paragraphs make up for this even if they aren’t strictly necessary to make the story chilling…
‘The Way They Wove Spells in Sippulgar’ from the pen of the veteran Robert Silverberg takes us back to the author’s stupendous planet of Majipoor for this tale of a missing brother-in-law and the search for him in the eponymous city. Stories set on Majipoor should technically be science fiction; they’re on another planet in our future and there are alien races. But most of these races map fairly easily onto standard fantasy types and though the people of Majipoor sort of vaguely know they’re from off-world, there is little interaction with off-worlders and the place feels low-tech despite the existence of high-tech. the problem is that the planet is vast, seriously huge and travel times are in the ‘lifetime’ range. Anyway, back to our protagonist, who’s a merchant that doesn’t believe in anything much apart from his merchandise and the resultant credit balances. In a time when Majipoor is undergoing an explosive religious expansion, it seems that Sippulgar is one of the centres of these cults and that brother-in-law had become involved - no surprise to our merchant, who’d had to bale him out of other, less esoteric, businesses in the past. But this time, it looked as if brother-in-law had hit on something rather better than his usual fly-by-night scams. However, he and his partner in crime, also mysteriously vanished, had made a mistake in hiring a priest who genuinely believed in the message they offered and was a genuine saint according to our merchant. Now, it’s not impossible that the priest did away with his bosses in order to rid the church of their taint - holiness is no bar to doing evil. It may even be possible, however unlikely, that the communicant who’d wanted his wife raising from the dead had done away with them when they’d said no. But that demons had done away with them? Stuff and nonsense! However, by the end of the tale, our merchant is left more sceptical of his scepticism…
As stated above, Robert Silverberg has been writing Majipoor stories for the best part of thirty years and while some are… less than good shall we say, this definitely counts amongst the best of the bunch.
‘I Waltzed With a Zombie’ by Ron Goulart is, despite the subject a rather light hearted story about what happens when a leading man quite literally dies partway through filming. It really put a crimp in his style and his leading lady wanted to know why so she hired a private eye to find out.
This was mainly a fun story and I’m almost sure has been influenced by the smash hit mash-up between ‘Pride & Prejudice’ and zombie novels.
‘Another Life’ by Charles Oberndorf. In going to the stars, humanity has not left the squabbling behind. What they fight over might have changed but the need for bodies to do the fighting has not. However, cloning and the ability to download a mind map into the cloned body means that death isn’t final - there are one or two minor downsides, granted - everything after that mind map was made was lost and the cost was darn near prohibitive. But the military would pick up the tab for that first rebirth and any rebirths while in service, and you only had to die five times for you to serve out your term.
This story is told from the perspective of a man looking back to his first hitch and its consequences which was a relatively interesting way of prompting along the story but the close similarities with John Scalzi’s Old Man’s War’ series were enough to spoil it for me.
Next up are the short stories:
‘Logicist’ by Carol Emshwiller is a rather strange tale of a teacher (or logicist as Ms Emshwiller calls him). In his efforts to teach his charges, he takes them to a nearby fight between his people and the enemy which his people lose. In the aftermath, his children are lost and the logicist flees only to find himself deep in enemy territory where he’s taken in by a simple peasant family and he falls for the woman of the house until he finds plans for the enemy advances which force him to face the choice between returning to his own people or remaining where he is.
Ms Emschwiller gets our logicist to favour country and honour over love, which felt against the flow of the story to that point.
‘Blocked’ from Geoff Ryman is a really weird tales set just pre-catastrophe as the peoples of the planet have been persuaded that a major impactor is about to wipe out the population so deep shelters have been dug and gigantic storage units to hold the uploaded consciousnesses of those with the wealth to escape the up-coming catastrophe. But even if you have the money, you might lack the will to lock yourself away in such a fashion…
‘Mermaid’ from Robert Reed is a rarity in his recent work in that it doesn’t focus on Africa. Instead we are in suburban America where a man tries to hide the strange nature of his girlfriend from his neighbours.
‘Never Blood Enough’ by Joe Haldeman is set on a planet in the early days of colonisation with insufficient resources and personnel to do justice to the necessary research to make a safe colony. In this story, the colony’s administrator is confounded by a series of deaths that have left their victims short on blood supply but without any wounds that might explain the condition.
This was a neat (I’d say ‘nice’ but that implies something it wasn’t :-)) little tale of detective work even if there is a slight air deus-ex-machina about the ending.
‘The President’s Book Tour’ by M. Richert is basically a post-apocalyptic Romeo and Juliet tale that was deeply unpleasant in almost every way. In my opinion.
‘Through Time and Space With Ferdinand Feghoot LXXI’ by Ron Partridge. It’s a Feghoot - what can you expect? Practice your groans and enjoy. You may find you have to speak the final couple of lines to ‘get it’ though whether you think it was worth it is another matter, though it’s not the worst even in my fairly limited experience.
‘Shadows on the Wall of the Cave’ from Kate Wilhelm. After the disappearance of her youngest cousin, Ashley had stopped visiting her grandparent’s farm but now with the death of her grandmother, it was time to face up to that past and the recriminations of her family. Persuaded to visit the cave where the disappearance had occurred by her older cousin not even he can get her inside but it’s what he finds there that destroys the family.
Despite the apparently negative comments above, this story actually managed to end on an upbeat note.
As all the stories were written by people with literally decades of writing experience the general quality of the stories was excellent with only a couple of the short stories rated as low as 5/10, with the majority hitting 7/10 and Silverberg’s Majipoor story rating an 8/10.
The non-fiction areas saw Lucius Shepard appear once more, this time in his role as film reviewer where he goes onto bash the latest round of genre movies though he heaps relatively loads of praise on ‘Moon’ .
The science piece from Pat Murphy and Paul Doherty ‘Science: Seeing Red’ was a fun piece on how we see colour and rather than ‘red’ being an absolute description, it’s merely a perception of a particular band of wavelengths.





